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<channel>
	<title>YUTZUHUANG</title>
	<link>https://yutzuhuang.com</link>
	<description>YUTZUHUANG</description>
	<pubDate>Tue, 26 May 2026 16:56:49 +0000</pubDate>
	<generator>https://yutzuhuang.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Perverted Norm, Normal Pervert</title>
				
		<link>https://yutzuhuang.com/Perverted-Norm-Normal-Pervert</link>

		<pubDate>Mon, 28 Jun 2021 11:54:38 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/Perverted-Norm-Normal-Pervert</guid>

		<description>



	
Perverted Norm, Normal PervertBook Design













Perverted Norm, Normal Pervert is the artist Kuang-Yi Ku’s project inspired by scientific research and explores the normality and abnormality of sexual activities among humans and snails.&#38;nbsp;The book was selected for Tokyo TDC 2022 and&#38;nbsp;was selected for The Best Dutch Book Designs 2023 and exhibited at the Stedelijk Museum Amsterdam from October 17, 2024, to January 5, 2025.

I collaborated with Ku and explored the appearance, gender and data related to snails and humans, which I illustrated and produced as a book. This bilingual book focuses on gender fluidity, depicting the reproductive system, reproductive structure and mating posture of snails and humans in four chapters with black and white illustrations. On the cover, it attempts to echo the definition of "pervert and normality" explored by the artist by switching the sequence of the Chinese characters "變態的正常".


Part of this exhibition presents the pages of the book and shows the interaction of graphic design and three-dimensional objects together with 3D printing and proofing. In addition, I drew four large-scale illustrations of banners to echo the topics discussed in the four chapters of the book.



&#60;img width="2084" height="387" width_o="2084" height_o="387" data-src="https://freight.cargo.site/t/original/i/468b72b4820b90618a8b5663f559a237b0fa30f1ec069b80e423d9c929702fab/TokyoTDC_1-02.png" data-mid="131405464" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/468b72b4820b90618a8b5663f559a237b0fa30f1ec069b80e423d9c929702fab/TokyoTDC_1-02.png" /&#62;
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	&#60;img width="2000" height="1205" width_o="2000" height_o="1205" data-src="https://freight.cargo.site/t/original/i/daef0f8fff4c71d7a41641239869ea43fb335b685686a82a2f15db042cf18aef/20C_0.jpg" data-mid="112495134" border="0"  src="https://freight.cargo.site/w/1000/i/daef0f8fff4c71d7a41641239869ea43fb335b685686a82a2f15db042cf18aef/20C_0.jpg" /&#62;
 &#38;nbsp; Next︎ &#38;nbsp;
&#60;img width="2000" height="1205" width_o="2000" height_o="1205" data-src="https://freight.cargo.site/t/original/i/1d38f8e7bb195d5a88062300a62853fcf23e8820fe4c720a5cfdde14e452d407/20C_1.jpg" data-mid="112495135" border="0"  src="https://freight.cargo.site/w/1000/i/1d38f8e7bb195d5a88062300a62853fcf23e8820fe4c720a5cfdde14e452d407/20C_1.jpg" /&#62;
&#60;img width="2000" height="1205" width_o="2000" height_o="1205" data-src="https://freight.cargo.site/t/original/i/692cd6b3077a3e302e4d0cefed4d3086bd578d08dcd60bf038729f7f8a9cd188/20C_2.jpg" data-mid="112495136" border="0"  src="https://freight.cargo.site/w/1000/i/692cd6b3077a3e302e4d0cefed4d3086bd578d08dcd60bf038729f7f8a9cd188/20C_2.jpg" /&#62;&#60;img width="2000" height="1205" width_o="2000" height_o="1205" data-src="https://freight.cargo.site/t/original/i/00aa7b033165784ec9b966d3fa18b7d14acff39f9411ec163ddb5c1125150d2f/20C_3.jpg" data-mid="112495137" border="0"  src="https://freight.cargo.site/w/1000/i/00aa7b033165784ec9b966d3fa18b7d14acff39f9411ec163ddb5c1125150d2f/20C_3.jpg" /&#62;&#60;img width="2000" height="1205" width_o="2000" height_o="1205" data-src="https://freight.cargo.site/t/original/i/277f1cd067659062a068e32c451bfaa78e949e9dd2f1052e8180e7333705d431/20C_4.jpg" data-mid="112495138" border="0"  src="https://freight.cargo.site/w/1000/i/277f1cd067659062a068e32c451bfaa78e949e9dd2f1052e8180e7333705d431/20C_4.jpg" /&#62;&#60;img width="2000" height="1205" width_o="2000" height_o="1205" data-src="https://freight.cargo.site/t/original/i/2ee824a609a8cc901e845864f81f6ac315dae565930edf3123ea43448a112579/20C_5.jpg" data-mid="112495139" border="0"  src="https://freight.cargo.site/w/1000/i/2ee824a609a8cc901e845864f81f6ac315dae565930edf3123ea43448a112579/20C_5.jpg" /&#62;&#60;img width="2000" height="1205" width_o="2000" height_o="1205" data-src="https://freight.cargo.site/t/original/i/11adab6166957559672af45d38826002817cdc10e4f02ddb5df9ffe9e481da36/20C_7.jpg" data-mid="112495141" border="0"  src="https://freight.cargo.site/w/1000/i/11adab6166957559672af45d38826002817cdc10e4f02ddb5df9ffe9e481da36/20C_7.jpg" /&#62;


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	<item>
		<title>CinemAsia Film Festival 2026</title>
				
		<link>https://yutzuhuang.com/CinemAsia-Film-Festival-2026</link>

		<pubDate>Wed, 06 May 2026 19:54:26 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/CinemAsia-Film-Festival-2026</guid>

		<description>



	CinemAsia Film Festival 2026
Visual Identityvisual identity, motion graphic, socials, printing



The 18th edition of the CinemAsia Film Festival will take place from April 8–12, 2026, across Studio/K, Rialto De Pijp, and Eye Filmmuseum in Amsterdam.

&#38;nbsp; &#38;nbsp; 
Concept

As the world grows increasingly fragmented, the theme of CinemAsia,&#38;nbsp;COMMONS reflects on how human connection can be rediscovered through empathy, shared experiences, and storytelling. The theme highlights the importance of finding common ground and bridging divides across cultures and communities.


The visual concept uses interwoven and fluidly shifting colours to express coexistence, collective belonging, and the sharing of common spaces and stories.


&#60;img width="1440" height="1891" width_o="1440" height_o="1891" data-src="https://freight.cargo.site/t/original/i/9cedeca7a90d3893c936adb9eb62c7ddc09f97b15cb1421cf4f2e3a3a56e1cb1/CA26_Poster.JPG" data-mid="248138609" border="0"  src="https://freight.cargo.site/w/1000/i/9cedeca7a90d3893c936adb9eb62c7ddc09f97b15cb1421cf4f2e3a3a56e1cb1/CA26_Poster.JPG" /&#62;

Flyer

&#60;img width="2528" height="1863" width_o="2528" height_o="1863" data-src="https://freight.cargo.site/t/original/i/82bfca8c5c8e0d2e34768a5482d223e8728af1ef1ea295881beb2d4cf93f730f/CA26_Flyer.jpg" data-mid="248152856" border="0"  src="https://freight.cargo.site/w/1000/i/82bfca8c5c8e0d2e34768a5482d223e8728af1ef1ea295881beb2d4cf93f730f/CA26_Flyer.jpg" /&#62;Brochure
&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/dfc77644541ab8064a56612b0a1a900e5c9319cb5b51ac76340f52afc829d302/CA26_Borchure_Cover.jpg" data-mid="248152994" border="0"  src="https://freight.cargo.site/w/1000/i/dfc77644541ab8064a56612b0a1a900e5c9319cb5b51ac76340f52afc829d302/CA26_Borchure_Cover.jpg" /&#62;&#60;img width="3496" height="2232" width_o="3496" height_o="2232" data-src="https://freight.cargo.site/t/original/i/95b2f2b75efd993c828a6b5b3abbbbfbd8c87e826b795491a9fafe3ac87b70b0/CA26_Borchure_8.jpg" data-mid="248152995" border="0"  src="https://freight.cargo.site/w/1000/i/95b2f2b75efd993c828a6b5b3abbbbfbd8c87e826b795491a9fafe3ac87b70b0/CA26_Borchure_8.jpg" /&#62;&#60;img width="3496" height="2232" width_o="3496" height_o="2232" data-src="https://freight.cargo.site/t/original/i/c254f9ad10ab979a959e1ee4c3b5d5ef0f022ec17ea302c22bc613ab1d710610/A4_Borchure_Mockup_32.jpg" data-mid="248152996" border="0"  src="https://freight.cargo.site/w/1000/i/c254f9ad10ab979a959e1ee4c3b5d5ef0f022ec17ea302c22bc613ab1d710610/A4_Borchure_Mockup_32.jpg" /&#62;&#60;img width="3496" height="2232" width_o="3496" height_o="2232" data-src="https://freight.cargo.site/t/original/i/ff56e20201935ad35f14abb133680c6c6a1c6b075ad8e66d2b9bbcbce54c2942/CA26_Borchure_30.jpg" data-mid="248152997" border="0"  src="https://freight.cargo.site/w/1000/i/ff56e20201935ad35f14abb133680c6c6a1c6b075ad8e66d2b9bbcbce54c2942/CA26_Borchure_30.jpg" /&#62;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/04519a4ea5ee56afd535489277d40f3ff3417387e41bdf286797da75edcfa302/CA26_Brochure_Eyefilmmuseum.JPG" data-mid="248153005" border="0"  src="https://freight.cargo.site/w/1000/i/04519a4ea5ee56afd535489277d40f3ff3417387e41bdf286797da75edcfa302/CA26_Brochure_Eyefilmmuseum.JPG" /&#62;
 
	Talk/Introduction
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ae6f6a00590d6ebc5d4c0513635825865de6b44e6420e538a444a2c89125d12f/CA26_conference_Final.jpg" data-mid="248138549" border="0"  src="https://freight.cargo.site/w/1000/i/ae6f6a00590d6ebc5d4c0513635825865de6b44e6420e538a444a2c89125d12f/CA26_conference_Final.jpg" /&#62;Socials/Template guide
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b259eac736e368ec871870c029a8e2ed8f28a83e2d530729f777eae766cb8cf9/CA26_Socials_Template.002.jpeg" data-mid="248139723" border="0"  src="https://freight.cargo.site/w/1000/i/b259eac736e368ec871870c029a8e2ed8f28a83e2d530729f777eae766cb8cf9/CA26_Socials_Template.002.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ecc756122a31c79798da54f15f514011212a407e89e1403b2334b9cf0d868518/CA26_Socials_Template.003.jpeg" data-mid="248139724" border="0"  src="https://freight.cargo.site/w/1000/i/ecc756122a31c79798da54f15f514011212a407e89e1403b2334b9cf0d868518/CA26_Socials_Template.003.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/46a5b2cb7269b197f8d136aa421b9b4be586030f39a0fc4a3e9f149d9d2064e5/CA26_Socials_Template.004.jpeg" data-mid="248139725" border="0"  src="https://freight.cargo.site/w/1000/i/46a5b2cb7269b197f8d136aa421b9b4be586030f39a0fc4a3e9f149d9d2064e5/CA26_Socials_Template.004.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3a5b230523735aa28b4fc70a6dc3e27da5443e24ec3cccf55fb61a309be894fe/CA26_Socials_Template.005.jpeg" data-mid="248139726" border="0"  src="https://freight.cargo.site/w/1000/i/3a5b230523735aa28b4fc70a6dc3e27da5443e24ec3cccf55fb61a309be894fe/CA26_Socials_Template.005.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3a182ace3c4d32f7a1a6fd0d11f71abb3ef38f5f67014c72133561c126ebaca5/CA26_Socials_Template.006.jpeg" data-mid="248139727" border="0"  src="https://freight.cargo.site/w/1000/i/3a182ace3c4d32f7a1a6fd0d11f71abb3ef38f5f67014c72133561c126ebaca5/CA26_Socials_Template.006.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2942bc652fac0e005fee914b01963a15cb54973ab6878f725bef5d93efe6b692/CA26_Socials_Template.007.jpeg" data-mid="248139728" border="0"  src="https://freight.cargo.site/w/1000/i/2942bc652fac0e005fee914b01963a15cb54973ab6878f725bef5d93efe6b692/CA26_Socials_Template.007.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/226fb5c5c664f714075d3c5a7babe69359cf65b4514c594a340f7da47940d239/CA26_Socials_Template.008.jpeg" data-mid="248139729" border="0"  src="https://freight.cargo.site/w/1000/i/226fb5c5c664f714075d3c5a7babe69359cf65b4514c594a340f7da47940d239/CA26_Socials_Template.008.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1752c46b7d076c3a8c6a6787b3c2c38c67617c4e419d184591e75066826c6d95/CA26_Socials_Template.009.jpeg" data-mid="248139730" border="0"  src="https://freight.cargo.site/w/1000/i/1752c46b7d076c3a8c6a6787b3c2c38c67617c4e419d184591e75066826c6d95/CA26_Socials_Template.009.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dcf795c5dd4ab86203c99443bf47a19080c14f414666c76523b77ed9fc87e2c9/CA26_Socials_Template.010.jpeg" data-mid="248139731" border="0"  src="https://freight.cargo.site/w/1000/i/dcf795c5dd4ab86203c99443bf47a19080c14f414666c76523b77ed9fc87e2c9/CA26_Socials_Template.010.jpeg" /&#62;

T-shirt
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/49401ae4c673c68326b91662bb7ed5bce9c9d940c29c84ce9aa56b200dc2d250/CA26_T-Shirt.jpg" data-mid="248153032" border="0"  src="https://freight.cargo.site/w/1000/i/49401ae4c673c68326b91662bb7ed5bce9c9d940c29c84ce9aa56b200dc2d250/CA26_T-Shirt.jpg" /&#62;

Concept Development &#124; Yu-Tzu HUANG Visual Graphic/Motion &#124; Yu-Tzu HUANG

</description>
		
	</item>
		
		
	<item>
		<title>The Bards of Time and Space — Ho Kan &#38; Kwon Soonik</title>
				
		<link>https://yutzuhuang.com/The-Bards-of-Time-and-Space-Ho-Kan-Kwon-Soonik</link>

		<pubDate>Sun, 23 Nov 2025 13:54:23 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/The-Bards-of-Time-and-Space-Ho-Kan-Kwon-Soonik</guid>

		<description>



	The Bards of Time and Space — Ho Kan &#38;amp; Kwon Soonik
exhibition, key visual, visual identity, motion graphic

Presented as the annual exhibition of ALIEN Art Centre in Kaohsiung, Taiwan, rekindles the spiritual core of “abstraction” within the East Asian context. The exhibition opens with the works of Ho Kan, a pioneer of geometric abstraction in the Chinese-speaking world, alongside those of Korean contemporary abstract artist Soonik Kwon. Ho Kan constructs “order” through luminous color fields and precise geometric forms, while Kwon materializes the flow of qi on canvas through layered brushwork and tactile textures.

The Bards of Time and Space — Ho Kan &#38;amp; Kwon Soonik take place in ALIEN Art Centre from 23 November, 2025 to 1 November, 2026.

Design
The geometric structural lines (the pink diagonal planes) draw from a formal deconstruction of Ho Kan’s Development 36, while the optical, perceptual dot-like interference (the blue field with black dots and scattered mineral pigments) echoes the visual vocabulary of Kwon Soonik’s Absence of Ego.&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/220f67ceca7609b14c68150ebd2c6e4da85c86f7e2e151f2d75dc7927b9fc5a3/AAC_HoKan-KwonSoonik.jpeg" data-mid="248772348" border="0"  src="https://freight.cargo.site/w/1000/i/220f67ceca7609b14c68150ebd2c6e4da85c86f7e2e151f2d75dc7927b9fc5a3/AAC_HoKan-KwonSoonik.jpeg" /&#62;↑ Ho Kan’s Development 36 (Left)↑ Kwon Soonik’s Absence of Ego (Right)


Through dynamic composition, the originally static image extends into a rhythm of pulsation and illusion, like breathing, like refracting the cadence of time and the pulse of space. As the lines of Ho Kan move through this dynamic flow, they become a visual metaphor for the timeline of the exhibition.

&#60;img width="2160" height="3118" width_o="2160" height_o="3118" data-src="https://freight.cargo.site/t/original/i/21bfa03b872a26d7364de14ff542b60ced77572df8b0d4488cae8c044b285b17/Final-comp_00105.png" data-mid="241003888" border="0"  src="https://freight.cargo.site/w/1000/i/21bfa03b872a26d7364de14ff542b60ced77572df8b0d4488cae8c044b285b17/Final-comp_00105.png" /&#62;

&#60;img width="606" height="364" width_o="606" height_o="364" data-src="https://freight.cargo.site/t/original/i/a3afad733af600029e497469efd8196a274450974b787f3201e01e68c402ab74/Timeline.png" data-mid="241004479" border="0"  src="https://freight.cargo.site/w/606/i/a3afad733af600029e497469efd8196a274450974b787f3201e01e68c402ab74/Timeline.png" /&#62;

While responding to the artistic spirit of both artists, the visual design also seeks to retain the gentle, tactile quality of hand-painted flat brushwork. 





	Motion key visual
&#38;nbsp; &#38;nbsp; 

In extended applications, the overall visual structure can be flexibly adjusted according to different contexts, allowing for rich adaptability in future design executions.
Diverse Key Visual&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7b9fb25f62c09790d31e01050227fd39eb69ffd595ee342cd9772c466d824f1c/Poster.jpg" data-mid="241003948" border="0"  src="https://freight.cargo.site/w/1000/i/7b9fb25f62c09790d31e01050227fd39eb69ffd595ee342cd9772c466d824f1c/Poster.jpg" /&#62;
Diverse Outdoor Banner

&#60;img width="3777" height="2289" width_o="3777" height_o="2289" data-src="https://freight.cargo.site/t/original/i/2f37e5ed274421c0583406eb4fbfb629d76c1709b0767008dfb9b36a8b5f5b98/Banner.jpg" data-mid="241004096" border="0"  src="https://freight.cargo.site/w/1000/i/2f37e5ed274421c0583406eb4fbfb629d76c1709b0767008dfb9b36a8b5f5b98/Banner.jpg" /&#62;
&#60;img width="5000" height="3920" width_o="5000" height_o="3920" data-src="https://freight.cargo.site/t/original/i/5afe41c359df151fc1a59b0c69eb827053ad5ca76ab768bcede2bb7647c494ea/Billboard.jpg" data-mid="241004418" border="0"  src="https://freight.cargo.site/w/1000/i/5afe41c359df151fc1a59b0c69eb827053ad5ca76ab768bcede2bb7647c494ea/Billboard.jpg" /&#62;



Commissioned by ALIEN Art Centre Concept Development &#124; Yu-Tzu HUANG Visual/Motion Design&#38;nbsp;&#124; Yu-Tzu HUANG




</description>
		
	</item>
		
		
	<item>
		<title>X-site 2024 Analogue Forest</title>
				
		<link>https://yutzuhuang.com/X-site-2024-Analogue-Forest</link>

		<pubDate>Fri, 03 Jan 2025 13:29:45 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/X-site-2024-Analogue-Forest</guid>

		<description>



	
X-site 2024 Analogue Forest
Visual Identityexhibition, key visual, visual identity, motion graphic 

For the TFAM plaza, designed with simplicity under strong sunshine, Analogue Forest offers vast shade and a dynamic spatial experience for summer tourists.&#38;nbsp;Analogue Forest took place in Taipei Fine Arts Museum from 11 May to 22 July, 2024.
Comprising 25 tree-like columns with a weightless canopy, the structure sways gently, inviting pedestrians into a realm beyond daily life. The descending canopy forms a central space, contrasting human-scale edges with towering columns, transforming movement into inner exploration. Light filters through the shading mesh, dissolving the tent-like outline into a visioned forest.


&#38;nbsp; &#38;nbsp; 
&#60;img width="1440" height="1082" width_o="1440" height_o="1082" data-src="https://freight.cargo.site/t/original/i/6a04c6d94402830ad72e7e5a6e5b790fd7a6e3569635200d77790a6ed9e08831/4AF95D9F-0AA7-402E-8C04-7B7A64FA1010.JPG" data-mid="227463921" border="0"  src="https://freight.cargo.site/w/1000/i/6a04c6d94402830ad72e7e5a6e5b790fd7a6e3569635200d77790a6ed9e08831/4AF95D9F-0AA7-402E-8C04-7B7A64FA1010.JPG" /&#62;↑Analogue Forest at TFAM&#38;nbsp; Photo by Yu-Tzu Huang

Design
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/69cf9364ef36bf6ae3c46cecaec3eba68d91aa9f7a986a007a9c293c76d3ae19/V8_processing_00021.jpg" data-mid="227457386" border="0"  src="https://freight.cargo.site/w/1000/i/69cf9364ef36bf6ae3c46cecaec3eba68d91aa9f7a986a007a9c293c76d3ae19/V8_processing_00021.jpg" /&#62;

The smallest square element in the key visual of X-site 2024 Analogue Forest comes from the largest matrix-like layout of the space in the plaza of Taipei Fine Arts Museum. Through the swinging of dynamic visuals, it resonates with the bottom of the tree pillars, like a roly-poly toy. The squares move rhythmically between the mesh and the tree pillars, attempting to present ”komorebi“(木漏れ日)—the fleeting light that filters through the gaps in the treetops.
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/03ce169785f1fa65309588b935af6ec3dfbd675c95ddc03d5625b379270cab87/V8_processing_00105.jpg" data-mid="227457387" border="0"  src="https://freight.cargo.site/w/1000/i/03ce169785f1fa65309588b935af6ec3dfbd675c95ddc03d5625b379270cab87/V8_processing_00105.jpg" /&#62;
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/a912f630d4f0cbcc989b56f12012ef781021608f3a33081e6a277c394e3f3618/2024Xsite__4.jpg" data-mid="227463998" border="0"  src="https://freight.cargo.site/w/1000/i/a912f630d4f0cbcc989b56f12012ef781021608f3a33081e6a277c394e3f3618/2024Xsite__4.jpg" /&#62;↑Photo by Atelier YenAn

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d04feb866e71a7f739324aadbca35b326fb56135d6674b01f8b66dd5321a00aa/IMG_8779.JPG" data-mid="227489283" border="0"  src="https://freight.cargo.site/w/1000/i/d04feb866e71a7f739324aadbca35b326fb56135d6674b01f8b66dd5321a00aa/IMG_8779.JPG" /&#62;↑Photo by Yu-Tzu Huang





Space assets

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/546e43b0fc24093990657fca7c11186cb9dbc6947bd643caf4a96ebf202f4e42/IMG_1232.jpg" data-mid="227796195" border="0"  src="https://freight.cargo.site/w/1000/i/546e43b0fc24093990657fca7c11186cb9dbc6947bd643caf4a96ebf202f4e42/IMG_1232.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ca6e51280b78b8facdf7837171ded823c48fec721a904588937aa8f98b1dc3e6/IMG_1677.JPG" data-mid="227796206" border="0"  src="https://freight.cargo.site/w/1000/i/ca6e51280b78b8facdf7837171ded823c48fec721a904588937aa8f98b1dc3e6/IMG_1677.JPG" /&#62;
	Opening Invitation
&#60;img width="1080" height="811" width_o="1080" height_o="811" data-src="https://freight.cargo.site/t/original/i/35edebb98f011e5351204342abdef56560989513fd454032a04e337c8cebd5e5/AF_invites_9.jpg" data-mid="227795949" border="0"  src="https://freight.cargo.site/w/1000/i/35edebb98f011e5351204342abdef56560989513fd454032a04e337c8cebd5e5/AF_invites_9.jpg" /&#62;
&#60;img width="1080" height="812" width_o="1080" height_o="812" data-src="https://freight.cargo.site/t/original/i/464d4bfe366091b8bbecb16286022d348749fc98d04ad70b508378238b4eb0d3/AF_invites_7.jpg" data-mid="227795909" border="0"  src="https://freight.cargo.site/w/1000/i/464d4bfe366091b8bbecb16286022d348749fc98d04ad70b508378238b4eb0d3/AF_invites_7.jpg" /&#62;&#60;img width="1080" height="815" width_o="1080" height_o="815" data-src="https://freight.cargo.site/t/original/i/9f3e9d0c383157715af1243927328c4be4cbe7fa154ff90c77de5b9c62a9698e/AF_invites_3.jpg" data-mid="227795910" border="0"  src="https://freight.cargo.site/w/1000/i/9f3e9d0c383157715af1243927328c4be4cbe7fa154ff90c77de5b9c62a9698e/AF_invites_3.jpg" /&#62;&#60;img width="1080" height="812" width_o="1080" height_o="812" data-src="https://freight.cargo.site/t/original/i/111c3c731db589f768a872e6a9feda1d2505d61e74221c7249566fd4a0efcaa0/AF_invites_8.jpg" data-mid="227795945" border="0"  src="https://freight.cargo.site/w/1000/i/111c3c731db589f768a872e6a9feda1d2505d61e74221c7249566fd4a0efcaa0/AF_invites_8.jpg" /&#62;&#60;img width="1080" height="812" width_o="1080" height_o="812" data-src="https://freight.cargo.site/t/original/i/8026bdb9b031190f30e1212987746dec8c9c617ebe67393b2156889f0a3fd745/AF_invites_5.jpg" data-mid="227795951" border="0"  src="https://freight.cargo.site/w/1000/i/8026bdb9b031190f30e1212987746dec8c9c617ebe67393b2156889f0a3fd745/AF_invites_5.jpg" /&#62;&#60;img width="4948" height="4671" width_o="4948" height_o="4671" data-src="https://freight.cargo.site/t/original/i/8f2cb532c8c7d37bd195a52038de259d6676349a0caf5f91285c531ea6f6c0b4/P1010332.jpg" data-mid="227796060" border="0"  src="https://freight.cargo.site/w/1000/i/8f2cb532c8c7d37bd195a52038de259d6676349a0caf5f91285c531ea6f6c0b4/P1010332.jpg" /&#62;

Socials

&#60;img width="2250" height="2250" width_o="2250" height_o="2250" data-src="https://freight.cargo.site/t/original/i/9f408f747086209d61e343c6407834b3a70a492af10c28a8a499a7f72ff7e609/XST_Banner_No12-__w1080_2024-05-09.jpg" data-mid="227795970" border="0"  src="https://freight.cargo.site/w/1000/i/9f408f747086209d61e343c6407834b3a70a492af10c28a8a499a7f72ff7e609/XST_Banner_No12-__w1080_2024-05-09.jpg" /&#62;&#60;img width="2250" height="2250" width_o="2250" height_o="2250" data-src="https://freight.cargo.site/t/original/i/cdc6867504a145dea1ccbbc0f8f812272bb97369cabed048996f5004eafe8dd8/XST_Banner_No9-_Graphic_w1080_2024-05-09.jpg" data-mid="227795958" border="0"  src="https://freight.cargo.site/w/1000/i/cdc6867504a145dea1ccbbc0f8f812272bb97369cabed048996f5004eafe8dd8/XST_Banner_No9-_Graphic_w1080_2024-05-09.jpg" /&#62;
&#60;img width="2250" height="2250" width_o="2250" height_o="2250" data-src="https://freight.cargo.site/t/original/i/8eedc3528b20a70cd7e0ec80b3395f7cd1350539bd0f844596eca20ce00c4722/XST_Banner_No8-_2_w1080_2024-05-09.jpg" data-mid="227795978" border="0"  src="https://freight.cargo.site/w/1000/i/8eedc3528b20a70cd7e0ec80b3395f7cd1350539bd0f844596eca20ce00c4722/XST_Banner_No8-_2_w1080_2024-05-09.jpg" /&#62;
&#60;img width="1489" height="1985" width_o="1489" height_o="1985" data-src="https://freight.cargo.site/t/original/i/914c3818b3f1f087cd0b28c8c68529545cc89cdd4e02760465cfaac60250a7b7/AF_IG_Planning.jpg" data-mid="227796018" border="0"  src="https://freight.cargo.site/w/1000/i/914c3818b3f1f087cd0b28c8c68529545cc89cdd4e02760465cfaac60250a7b7/AF_IG_Planning.jpg" /&#62;
X-site 2024 Winning Team Design Team &#124; office one senses (OOS)Architecture Design &#124; CHENG Hao-Chung, CHIOU Yuan-Fu, CHANG Po-Yun, CHEN Szu-AnArt Planning &#38;amp; Visual Design &#124; HUANG Yu-TzuStructure Consultant &#124; Jun Yanagimuro


</description>
		
	</item>
		
		
	<item>
		<title>X-site 2025 Open Call</title>
				
		<link>https://yutzuhuang.com/X-site-2025-Open-Call</link>

		<pubDate>Fri, 07 Mar 2025 03:37:49 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/X-site-2025-Open-Call</guid>

		<description>



	X-site 2025 Open Call&#38;nbsp;
Visual Identity&#38;nbsp;(Unselected proposal)
exhibition, key visual, visual identity, motion graphic

To align with the trend of sustainable development, the Taipei Fine Arts Museum has incorporated sustainability into this year’s selection criteria. Teams are encouraged to propose carbon reduction solutions in construction methods, material use, and recycling plans. Throughout installation, exhibition, and dismantling, teams are expected to integrate green building concepts and energy-saving strategies, highlighting X-site as a platform for circular thinking and action in Taiwan’s architecture and art collaboration.

X-site 2025 will take place in Taipei Fine Arts Museum from 3 May to 13 July, 2025.
&#60;img width="4000" height="3785" width_o="4000" height_o="3785" data-src="https://freight.cargo.site/t/original/i/8af5331ddf8c79c8db2322fee43a076c4291e9fdb7fabdd4411cd283297eedf4/XST25_Concept.jpg" data-mid="227819392" border="0"  src="https://freight.cargo.site/w/1000/i/8af5331ddf8c79c8db2322fee43a076c4291e9fdb7fabdd4411cd283297eedf4/XST25_Concept.jpg" /&#62;
Design
(X) ⎯ (s)ustainable ⎯ e(x)perimental ⎯public (s)pace ⎯ e(x)ploratory ⎯ (S)iteI redefine the "⎯" between X and Site for X-site 2025, moving from X to S and back to X. Emphasizing innovation, experimentation, and exploration—while placing greater focus on sustainability—I seek new pathways for Site’s circular regeneration.
	
&#38;nbsp; &#38;nbsp; 











Commissioned by Taipei Fine Arts Museum Concept Development &#124; Yu-Tzu HUANG Motion Graphic  &#124; Yu-Tzu HUANG




</description>
		
	</item>
		
		
	<item>
		<title>Sublime Project- The public programme of X-site 2024</title>
				
		<link>https://yutzuhuang.com/Sublime-Project-The-public-programme-of-X-site-2024</link>

		<pubDate>Fri, 13 Dec 2024 13:44:33 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/Sublime-Project-The-public-programme-of-X-site-2024</guid>

		<description>



	Sublime Project 
The public program of X-site 2024Program Planning, Public Program
Yu-Tzu Huang, from the X-site winning team organized Sublime Project, a public program of five events during Analogue Forest&#38;nbsp;in Taipei Fine Arts Museum from 11 May to 22 July, 2024.


&#38;nbsp; &#38;nbsp; 

Inspired by Scenery near Yuan-Shan (1928) by Hsueh-Hu Kuo. Through site visits to Jiantanshan and the former Taiwan Grand Shrine, the team explored the painting’s ‘orderliness’ via visual, sound, and bodily expressions. Three artists led a field study, culminating in events: Learn from Forest (group study), Prologue (performance), Sketch from Forest (workshops), Listen from Forest (sound performance), and Talk from Forest (discussions). These experiences echo Analogue Forest, evoking a sensory journey through nature.


&#60;img width="1500" height="800" width_o="1500" height_o="800" data-src="https://freight.cargo.site/t/original/i/75f8c2d8d8aa993297c09e7af4e8e0a69bc0d5a45f8c7133d6e0e543eeba19e4/Scenery_near_Yuan-Shan.jpg" data-mid="223313706" border="0"  src="https://freight.cargo.site/w/1000/i/75f8c2d8d8aa993297c09e7af4e8e0a69bc0d5a45f8c7133d6e0e543eeba19e4/Scenery_near_Yuan-Shan.jpg" /&#62;↑‘Scenery near Yuan-Shan’ (1928) painted by
Hsueh-Hu Kuo (1908-2012) 
 Photo credit by Taipei Fine Arts Museum.&#38;nbsp;Educatiion used.




Concept
Inspired by the painting ‘Scenery near
Yuan-Shan’ (1928) by Hsueh-Hu Kuo (1908-2012) of the TFAM collection, the
winning team of X-site organized the public program of five events entitled&#38;nbsp;Sublime Project during the exhibition
period of Analogue Forest. The team
attempts to conduct an on-site study–returning to the original sites such as
the Jiantanshan
Hiking Trail and Taiwan Grand Shrine (now the Grand Hotel), and analogously
identifies or establishes, by visual expression, sound creation, and corporal
sensation, the ‘orderliness’ in the natural landscape illustrated in the
painting. ‘Scenery near Yuan-Shan’ pivots on the public program which
encourages a ‘group study in the field’ as the first step of enlightenment.
Three invited artists of different disciplines will launch a field study to
observe from various perspectives of art and to elaborate on the following
events: natural nutrients cultivated from a ‘group study in the field’ in
‘Learn from forest’;
opening performance as indicated in ‘Prologue’; workshops
of symbolized vision in ‘Sketch form forest’; sound performance as visualized
sound in ‘Listen from forest’, and talks on the subject of forest empathy in
‘Talk from forest’. The different types of events echo the concept of analogy
to a forest in Analogue Forest and
deduce the somatosensory memory and spatial experience during a
promenade in the woods.
&#60;img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/dbabdf0ddf837a29ef72dc7f7c82d428e248c4784e0315267475e0793862ff89/XST_Programe_diagram.jpg" data-mid="223310433" border="0"  src="https://freight.cargo.site/w/1000/i/dbabdf0ddf837a29ef72dc7f7c82d428e248c4784e0315267475e0793862ff89/XST_Programe_diagram.jpg" /&#62;



Learn from forest −Wood from the other side of the bridgeHosted by Taiwan Nature Trail Society




‘Scenery near Yuan-Shan’ (1928) painted by
Hsueh-Hu Kuo (1908-2012) in the TFAM collection dominates the overall program.
Starting from the original site of the Jiantanshan Hiking Trail depicted in the
painting, the invited artists will translate and create the fruits of the
on-site survey from diverse artistic perspectives. The public is invited to
join the team of Analogue Forest,
departing from the TFAM plaza to take a closer look at the Meiji Bridge (now
Zhongshan Bridge) and Taiwan Grand Shrine (now Grand Hotel) and then returning
to the Jiantanshan woodland, mixing with non-/natural elements. The itinerary
offers an opportunity to compare the ancient and modern rural landscapes in
‘Scenery near Yuan-Shan’ with a nearly hundred-year history. Through a guided
tour of the history of humanities and natural features, the two forests are
aligned with each other. The promenade allows the public to experience the
conceptual threads of the artists in creation.

























&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/e3fc3f2f67422a51b5c79f382fb5803c42eb213bfdfbb782b7718d703c940434/Xsite_sketch_opening.jpg" data-mid="223313828" border="0"  src="https://freight.cargo.site/w/1000/i/e3fc3f2f67422a51b5c79f382fb5803c42eb213bfdfbb782b7718d703c940434/Xsite_sketch_opening.jpg" /&#62;
↑The sketch of&#38;nbsp;Prologue
Illustration by Yu-Tzu Huang




Prologue – no forest, no
word, no whisperHosted by visual artist Yu-Tzu Huang &#38;amp; sound artist Yu-Jung Chen




 


















Comme de longs
échos qui de loin se confondent


Dans une
ténébreuse et profonde unité,


Vaste comme la
nuit et comme la clarté,


Les parfums, les
couleurs et les sons se répondent.

























Correspondances

Charles Baudelaire, 1821-1867




In “Prologue” as an opening prelude, the
visual artist Yu-Tzu Huang and sound artist Yu-Jung Chen take as a text of
inspiration ‘Scenery near Yuan-Shan’ by Hsueh-Hu Kuo and conduct a field survey
on the now Jiantanshan Hiking Trail illustrated in the painting. In tune with
the poem ‘Correspondances’ by C. Baudelaire, the artists explore the boundary
between nature and non-nature with sounds as the overture, paired with a mirror
installation, and with luminous ink to replace traditional ink in terms of material
culture. They observe and perceive from different artistic perspectives, mixing
the symbols of writing, improvisation, and disturbance to present an amalgam of
light, color, and sound, so that viewers can return, either intentionally or
unintentionally, to the forest in their minds. 


























&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/3b063d332d13c7c93ace6d8f117ddb082bfd0d8af90c903f216bfe77a6b7f4e7/Xsite_sketch_v2-Day.jpg" data-mid="223313858" border="0"  src="https://freight.cargo.site/w/1000/i/3b063d332d13c7c93ace6d8f117ddb082bfd0d8af90c903f216bfe77a6b7f4e7/Xsite_sketch_v2-Day.jpg" /&#62;
↑The sketch of Sketch from forest
Illustration by Yu-Tzu Huang



Sketch from forest – Place
of reflectionHosted by visual artist Yu-Tzu Huang




In the workshop, the visual artist Yu-Tzu
Huang will employ the symbols in ‘Scenery near Yuan-Shan’ to create a realm of
its own, from which are pre-made the templates like a book of model paintings.
She will work with the participants to transform non-physical things in nature
and further propose the question: “When a forest fostered by nature turns into
one intervened by social consciousness, does such a forest still exist?” The
workshop features contemporary ink as a dominant technique, handmade writing tools,
and mirror acrylic sheets and luminous ink replacing traditional canvas and
ink. The handcrafted output implemented through the body is not only an
improvised creation but part of body memory. Finally, taking advantage of the
particularity of luminous ink in different spectra, the participants will
create the difference between day and night in the forest, and reflect on their
relationship with the forest. &#38;nbsp;&#38;nbsp; 



























&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/852a4589b9d82d5df47ba593e964ffe78c12a2e7a9927bce4682809d3decdf43/Xsite_sketch_listening_01.jpg" data-mid="223313920" border="0"  src="https://freight.cargo.site/w/1000/i/852a4589b9d82d5df47ba593e964ffe78c12a2e7a9927bce4682809d3decdf43/Xsite_sketch_listening_01.jpg" /&#62;↑The sketch of Listen from forest
Illustration by Yu-Tzu Huang




Listen from forest –
Soundscape reimagined in the memoryHosted by sound artist Yu-Jung Chen




The sound artist Yu-Jung Chen collects
numerous natural sounds to reconstruct the narratives of distinct sounds. He
wonders “how the familiar soundscape in daily life provokes a new imagination
of auditory experiences, through different listening methods and changes in the
experience of corporal perceptions.” The artist encodes the sound archives,
using multi-channel speakers to simulate the diversity and directionality of
natural sounds in interaction with the on-site installation. In the current
project, “delay” serves as the core concept of sound creation. It takes
advantage of the characteristics of echo and reverberation in sound technology,
digitally processing the sounds from the natural ecosystem with about 30-40
small speakers hidden in Analogue Forest.
Through the abstract reconstruction of the sounds, the event guides visitors to
re-experience the spatial field and itinerary constructed by the soundscape.



 &#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/eeb6d6799515506296ef106783981ffc7ffefda0c68bdc59e646fc2aa9506bf4/Xsite_sketch_v3_night.jpg" data-mid="223313917" border="0"  src="https://freight.cargo.site/w/1000/i/eeb6d6799515506296ef106783981ffc7ffefda0c68bdc59e646fc2aa9506bf4/Xsite_sketch_v3_night.jpg" /&#62;


↑The sketch of Talk from forest
Illustration&#38;nbsp;by Yu-Tzu Huang




Talk from forest – I am a
moving treeHosted by visual artist Ju-An
Hsieh





“I will walk into a forest to let myself
melt into it, my body and senses flow among the trees and sway with the wind,
and then become them momentarily."

by visual artist Ju-An
Hsieh


In recent years, the visual artist Ju-An
Hsieh has eagerly visited different natural habitats through overseas travel
and residence programs. She’s lived with plants and transformed what she saw
and felt into works. In this talk, she will read aloud her notes of creation
and share her stories of roaming in the forest and creation during the
residence programs in the Netherlands, Estonia, Iceland, Taiwan, Japan, and
other places.



The form of the talk is inspired by the
allusions in Aranyaka (Book of the Forest) from the Vedic era
in India, which describes the elderly hermits living in the forest, replacing
traditional sacrifices as a ritual with meditation–a thought combining ideas
from religion, philosophy, and mysticism. In the event, the artist will write long
prose about her creation experiences in diverse residence programs and turn it
into “a handmade book presented through reading”. Meanwhile, the images and
manuscripts of creation during her journeys will be displayed on the
screen.&#38;nbsp; 



In
the last five minutes of the talk, the artist will also share with visitors a
sound work based on the concept of “sacred trees” that she created during ART
ITOYA (residence program) in Japan.



(Text translated by LIN Chih-Chung)



	&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/090feaef4d21e7505d594cf8345f585a7c7b0ae33962d1a75186cf0e2d7a708a/Forest_01.jpg" data-mid="223316371" border="0"  src="https://freight.cargo.site/w/1000/i/090feaef4d21e7505d594cf8345f585a7c7b0ae33962d1a75186cf0e2d7a708a/Forest_01.jpg" /&#62;&#60;img width="2000" height="2667" width_o="2000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/1305fb83a779af026fb3b4907b6467b4cbe1b0185619d3a532c4db0cb37e7f5c/Forest_03.jpg" data-mid="223316372" border="0"  src="https://freight.cargo.site/w/1000/i/1305fb83a779af026fb3b4907b6467b4cbe1b0185619d3a532c4db0cb37e7f5c/Forest_03.jpg" /&#62;&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/84321444f7ca4f2950982f6d86019f4892b785a81655657b1c7c88af7238b8bf/2024Xsite__4.jpg" data-mid="223315730" border="0"  src="https://freight.cargo.site/w/1000/i/84321444f7ca4f2950982f6d86019f4892b785a81655657b1c7c88af7238b8bf/2024Xsite__4.jpg" /&#62;
&#60;img width="2000" height="1336" width_o="2000" height_o="1336" data-src="https://freight.cargo.site/t/original/i/1e262f18d8e3d01b4d0937550bfcbadf17f25314d0173237809d16010300fc8d/2024Xsite__8.jpg" data-mid="223315740" border="0"  src="https://freight.cargo.site/w/1000/i/1e262f18d8e3d01b4d0937550bfcbadf17f25314d0173237809d16010300fc8d/2024Xsite__8.jpg" /&#62;&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/bf1e5d3397137f2dfc271c4cdfa06067e0dca295e51893e8620aff12b7c8ff97/2024Xsite__30.jpg" data-mid="223315746" border="0"  src="https://freight.cargo.site/w/1000/i/bf1e5d3397137f2dfc271c4cdfa06067e0dca295e51893e8620aff12b7c8ff97/2024Xsite__30.jpg" /&#62;&#60;img width="2000" height="1336" width_o="2000" height_o="1336" data-src="https://freight.cargo.site/t/original/i/3161ec8ee197012cd19066fd1d5514fa75a0dd958ea467cfdb1db281ab6b7a31/2024Xsite__9.jpg" data-mid="223315741" border="0"  src="https://freight.cargo.site/w/1000/i/3161ec8ee197012cd19066fd1d5514fa75a0dd958ea467cfdb1db281ab6b7a31/2024Xsite__9.jpg" /&#62;&#60;img width="2000" height="1336" width_o="2000" height_o="1336" data-src="https://freight.cargo.site/t/original/i/4c68505b6e3c8bcd26cf55a8e1178e047baf8d2811bcdd50f9f532856f1bc1b7/2024Xsite__26.jpg" data-mid="223315744" border="0"  src="https://freight.cargo.site/w/1000/i/4c68505b6e3c8bcd26cf55a8e1178e047baf8d2811bcdd50f9f532856f1bc1b7/2024Xsite__26.jpg" /&#62;&#60;img width="2000" height="1336" width_o="2000" height_o="1336" data-src="https://freight.cargo.site/t/original/i/9130f77e5b6855c25f8ae2963696c352f661ec5a8b147a6466f2e10ea0bf3d8d/2024Xsite__29.jpg" data-mid="223315745" border="0"  src="https://freight.cargo.site/w/1000/i/9130f77e5b6855c25f8ae2963696c352f661ec5a8b147a6466f2e10ea0bf3d8d/2024Xsite__29.jpg" /&#62;&#60;img width="2000" height="1336" width_o="2000" height_o="1336" data-src="https://freight.cargo.site/t/original/i/3396b52f6f730634241c1bb15c5316c8b9c46b2e6c48376a865354d89242554c/2024Xsite__19.jpg" data-mid="223315742" border="0"  src="https://freight.cargo.site/w/1000/i/3396b52f6f730634241c1bb15c5316c8b9c46b2e6c48376a865354d89242554c/2024Xsite__19.jpg" /&#62;&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/ee3090b698cc1dcd0f0e54db9d466fbea276573d62000f72f0f90d9048d4de37/2024Xsite__6.jpg" data-mid="223315739" border="0"  src="https://freight.cargo.site/w/1000/i/ee3090b698cc1dcd0f0e54db9d466fbea276573d62000f72f0f90d9048d4de37/2024Xsite__6.jpg" /&#62;&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/af33acc9f5c931efa7e3f503b4c7ddaba6806f06dcdb153b18bd8c426605e82b/2024Xsite__34.jpg" data-mid="223315748" border="0"  src="https://freight.cargo.site/w/1000/i/af33acc9f5c931efa7e3f503b4c7ddaba6806f06dcdb153b18bd8c426605e82b/2024Xsite__34.jpg" /&#62;&#60;img width="2000" height="2997" width_o="2000" height_o="2997" data-src="https://freight.cargo.site/t/original/i/5a18385b14aef3628fbd126038e372fda0528cb031c165680cc41e0c7c447924/2024Xsite__35.jpg" data-mid="223315749" border="0"  src="https://freight.cargo.site/w/1000/i/5a18385b14aef3628fbd126038e372fda0528cb031c165680cc41e0c7c447924/2024Xsite__35.jpg" /&#62;&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/6009d30c12c535ed977ae3c6dcb2e036b8e9dc9d9c7ced002a936bd0cbfdb3aa/2024Xsite__37.jpg" data-mid="223315752" border="0"  src="https://freight.cargo.site/w/1000/i/6009d30c12c535ed977ae3c6dcb2e036b8e9dc9d9c7ced002a936bd0cbfdb3aa/2024Xsite__37.jpg" /&#62;&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/9cb36df4a3b3e7b51378593edd4353ddf3cc335ff3986ca2d635e21eb07d3d0b/2024Xsite__40.jpg" data-mid="223315750" border="0"  src="https://freight.cargo.site/w/1000/i/9cb36df4a3b3e7b51378593edd4353ddf3cc335ff3986ca2d635e21eb07d3d0b/2024Xsite__40.jpg" /&#62;&#60;img width="2000" height="1336" width_o="2000" height_o="1336" data-src="https://freight.cargo.site/t/original/i/78b5920bc7a8edccf67f2b413c9639a6f07eb17d98e2e2e7ecd1a87f9ac08910/2024Xsite__47.jpg" data-mid="223315751" border="0"  src="https://freight.cargo.site/w/1000/i/78b5920bc7a8edccf67f2b413c9639a6f07eb17d98e2e2e7ecd1a87f9ac08910/2024Xsite__47.jpg" /&#62;

X-site 2024 Winning Team Design Team &#124; office one senses (OOS)Architecture Design &#124; CHENG Hao-Chung, CHIOU Yuan-Fu, CHANG Po-Yun, CHEN Szu-AnArt Planning &#38;amp; Visual Design &#124; HUANG Yu-TzuStructure Consultant &#124; Jun Yanagimuro

Public ProgramPlanning &#124; Studio PHOENIXMINUSONE, HUANG Yu-TzuOpening Performance &#124; HUANG Yu-Tzu, CHEN Yu-Jung Learn from Forest &#124; Taiwan Nature Trail SocietySketch from Forest &#124; HUANG Yu-TzuListen from Forest &#124; CHEN Yu-Jung Talk from Forest &#124; CHEN Ju-AnLighting for opening ceremony &#124; Hispot Workshop 
Translator &#124; LIN Chih-Chung
Program Documentary &#38;amp; Photo Recording &#124; Atelier YenAn
Videographer｜Jun-Siang Yang, Sung HsinPhotography｜Yen-An Chen, Jun-Siang Yan

Photo Recording of #1-2 &#124; Yu-Tzu HuangPhoto Credit &#124; Studio PHOENIXMINUSONE


</description>
		
	</item>
		
		
	<item>
		<title>Paper Money</title>
				
		<link>https://yutzuhuang.com/Paper-Money</link>

		<pubDate>Tue, 26 May 2026 16:56:49 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/Paper-Money</guid>

		<description>



	
Paper MoneyInitial project
The value of paper money is not limited to the “present world,” as real money must first be used to purchase it, before it is ceremonially burned to transfer its value into the afterlife.
&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/202c43692114da55a923a493a4ac49c53ce949a136a910b07017578341fd6bcb/Paper-Money_01.jpeg" data-mid="248789498" border="0"  src="https://freight.cargo.site/w/1000/i/202c43692114da55a923a493a4ac49c53ce949a136a910b07017578341fd6bcb/Paper-Money_01.jpeg" /&#62;

↑Photo by Yu-Tzu Huang

Paper Lotus(紙蓮花) and Gold Yuan Bao(金元寶) are some of the paper money commonly used in Taiwan. The original intention behind folding Paper Lotus and Gold Yuan Bao is to provide comfort and prosperity for ancestors in the afterlife, allowing the deceased to purchase luxuries and live more easily in the spiritual world. These offerings also symbolise the devotion and contribution of a family during funeral rituals. The value of paper money is not limited to the “present world,” as real money must first be used to purchase it, before it is ceremonially burned to transfer its value into the afterlife.

&#60;img width="1070" height="939" width_o="1070" height_o="939" data-src="https://freight.cargo.site/t/original/i/04fd94ef3d8bb549c4241fc9a7a32332b225fe130e3d02c9acd0264fa2caaf72/Paper-Money_re.jpg" data-mid="248781506" border="0"  src="https://freight.cargo.site/w/1000/i/04fd94ef3d8bb549c4241fc9a7a32332b225fe130e3d02c9acd0264fa2caaf72/Paper-Money_re.jpg" /&#62;
 
During the pandemic, when Yu-Tzu Huang was unable to return to Taiwan from the Netherlands to attend her grandfather’s funeral, the act of folding paper money became a personal ritual of mourning and remembrance. In this project, Huang redesigned the graphics of the paper money by incorporating the Wangsheng Mantra and fictional currency denominations that do not exist in reality, reinterpreting the family’s deepest blessings and emotional devotion toward the deceased. Through the continuous manual labour of folding paper money, the work reflects on the relationship between money, spirituality, and ritual, while honouring the memory of her grandfather. On the final day of the fair, Huang burned all of the paper lotuses folded throughout the fair period as a concluding ritual gesture, together with all participants.&#38;nbsp;
 &#60;img width="4079" height="6119" width_o="4079" height_o="6119" data-src="https://freight.cargo.site/t/original/i/6a7044e22f2025244345454664fda435c0cee1a1816c383efa0d8eb88dda69b3/DSCF3187.jpg" data-mid="248788873" border="0"  src="https://freight.cargo.site/w/1000/i/6a7044e22f2025244345454664fda435c0cee1a1816c383efa0d8eb88dda69b3/DSCF3187.jpg" /&#62;↑Photo by Chun-Yao LinYu-Tzu Huang presented this project at the NON NATIVE NATIVE FAIR, held from Friday 14 to Sunday 16 July 2023 at Framer Framed Amsterdam, alongside other participating artists.




	&#60;img width="1246" height="1305" width_o="1246" height_o="1305" data-src="https://freight.cargo.site/t/original/i/87ca1b6da3fefbd47e645c891f75bfdb9e804a626871fc337f9bb0c1e93e7346/PaperMoney_07012023_FA-OT.jpg" data-mid="248789336" border="0"  src="https://freight.cargo.site/w/1000/i/87ca1b6da3fefbd47e645c891f75bfdb9e804a626871fc337f9bb0c1e93e7346/PaperMoney_07012023_FA-OT.jpg" /&#62;&#60;img width="1499" height="1129" width_o="1499" height_o="1129" data-src="https://freight.cargo.site/t/original/i/d1447088c9b73b0ece2279c79f8a860d647c052560fd9292c7e860c8241b2c9d/Intro_2026.jpg" data-mid="248789275" border="0"  src="https://freight.cargo.site/w/1000/i/d1447088c9b73b0ece2279c79f8a860d647c052560fd9292c7e860c8241b2c9d/Intro_2026.jpg" /&#62;&#60;img width="6088" height="4059" width_o="6088" height_o="4059" data-src="https://freight.cargo.site/t/original/i/5e67696dbf64a009727bb7ad17d1c51322d59f5d6e6d2f7e04279c1f0dc7dfba/DSCF3259.jpg" data-mid="248789276" border="0"  src="https://freight.cargo.site/w/1000/i/5e67696dbf64a009727bb7ad17d1c51322d59f5d6e6d2f7e04279c1f0dc7dfba/DSCF3259.jpg" /&#62;

&#60;img width="6059" height="4039" width_o="6059" height_o="4039" data-src="https://freight.cargo.site/t/original/i/0044cba7402cd054e2ee178c7340d8b24e2d27367295d66e810ac8ec6d388085/DSCF3277.jpg" data-mid="248789277" border="0"  src="https://freight.cargo.site/w/1000/i/0044cba7402cd054e2ee178c7340d8b24e2d27367295d66e810ac8ec6d388085/DSCF3277.jpg" /&#62;&#60;img width="4887" height="3258" width_o="4887" height_o="3258" data-src="https://freight.cargo.site/t/original/i/438223ff9fc7c46547ca0bffc6e55c814ae8f1fc943c16a4cc1a7a29527b20b0/DSCF3300.jpg" data-mid="248789287" border="0"  src="https://freight.cargo.site/w/1000/i/438223ff9fc7c46547ca0bffc6e55c814ae8f1fc943c16a4cc1a7a29527b20b0/DSCF3300.jpg" /&#62;&#60;img width="6015" height="4010" width_o="6015" height_o="4010" data-src="https://freight.cargo.site/t/original/i/2553d8e3283d769c0a04512d6d52805501c440bba6ed4c82bfcb68567a7fe8a3/DSCF3325.jpg" data-mid="248789644" border="0"  src="https://freight.cargo.site/w/1000/i/2553d8e3283d769c0a04512d6d52805501c440bba6ed4c82bfcb68567a7fe8a3/DSCF3325.jpg" /&#62;↑Photo by Chun-Yao Lin

&#60;img width="680" height="893" width_o="680" height_o="893" data-src="https://freight.cargo.site/t/original/i/4bc7a24b1d3f5eb076e8c154a68091fceafd388fb19c54e782f6e086be5a7c09/Paper-Money_05.jpeg" data-mid="248789502" border="0"  src="https://freight.cargo.site/w/680/i/4bc7a24b1d3f5eb076e8c154a68091fceafd388fb19c54e782f6e086be5a7c09/Paper-Money_05.jpeg" /&#62;
&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/bde1d9eb89b94753daca52d9c8219f090683ccbc87c89acaa76febe3b181256d/Paper-Money_06.jpeg" data-mid="248789291" border="0"  src="https://freight.cargo.site/w/1000/i/bde1d9eb89b94753daca52d9c8219f090683ccbc87c89acaa76febe3b181256d/Paper-Money_06.jpeg" /&#62;↑Photo by Yu-Tzu Huang


</description>
		
	</item>
		
		
	<item>
		<title>CinemAsia Film Festival 2025</title>
				
		<link>https://yutzuhuang.com/CinemAsia-Film-Festival-2025</link>

		<pubDate>Fri, 07 Mar 2025 16:02:45 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/CinemAsia-Film-Festival-2025</guid>

		<description>



	CinemAsia Film Festival 2025
Visual Identitybrand identity, socials



The 17th CinemAsia Film Festival is scheduled from March 6 to 11, 2025, in Amsterdam. This edition will feature a diverse selection of Asian cinema, including films from China, Hong Kong, Taiwan, Japan, Korea, India, Indonesia, Singapore, Thailand, the Philippines, and Vietnam.&#60;img width="1018" height="1440" width_o="1018" height_o="1440" data-src="https://freight.cargo.site/t/original/i/91a7e40a6fa18bbb2f37abbd816078cf44fa2c4c2cdf056eb46cd14e4b0c967d/CAFF_Motion_1018x1440_FA.gif" data-mid="227872389" border="0"  src="https://freight.cargo.site/w/1000/i/91a7e40a6fa18bbb2f37abbd816078cf44fa2c4c2cdf056eb46cd14e4b0c967d/CAFF_Motion_1018x1440_FA.gif" /&#62;
Strategy and Design

The CinemAsia Film Festival brings together stories from across Asia and its diaspora to enhance Asian visibility and influence in Dutch culture and media. As the brand undergoes an image transformation, this year’s festival design focuses on a shift in perspective through the symbol of the “eye.” Visually, the “eye” symbol is intentionally arranged in a mirrored relationship with the letter “A” in “CinemAsia,”  symbolizing the principles of cinematic vision.


Additionally, the typography has been updated from a rounded typeface to a bold sans-serif, shaping a more modern and minimalist brand tone. A pixelated gradient is used as a secondary design element to enhance flexibility across various applications, ensuring adaptability for extended brand materials.



&#60;img width="934" height="736" width_o="934" height_o="736" data-src="https://freight.cargo.site/t/original/i/e2804fb17713cb8a8892d1dc00e083f5fde3820502abdea67406f0ce11146546/CAFF_Mirror-A.png" data-mid="227873964" border="0"  src="https://freight.cargo.site/w/934/i/e2804fb17713cb8a8892d1dc00e083f5fde3820502abdea67406f0ce11146546/CAFF_Mirror-A.png" /&#62;&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/4066fb20a58310096c7d3e56443baeaa48f14279a7041b0afde9d510cbf864e2/CAFF_Banner_1980x1080_FA.jpg" data-mid="227873702" border="0"  src="https://freight.cargo.site/w/1000/i/4066fb20a58310096c7d3e56443baeaa48f14279a7041b0afde9d510cbf864e2/CAFF_Banner_1980x1080_FA.jpg" /&#62;

Beyond reinforcing the strength of the brand’s iconic “eye” symbol, the new visual identity seeks to communicate the festival’s broader vision and aspirations. By intersecting Asian cinema, popular media, and community building, the festival aims to enrich public discourse on Asian culture and foster a more inclusive society.
 
	&#60;img width="3500" height="2454" width_o="3500" height_o="2454" data-src="https://freight.cargo.site/t/original/i/2e744af57e9861680b36c175bac3aae2eea7c355f3d2de7287b9f82f939aee8b/CAFF_poster-on-the-street_02.jpg" data-mid="227872412" border="0"  src="https://freight.cargo.site/w/1000/i/2e744af57e9861680b36c175bac3aae2eea7c355f3d2de7287b9f82f939aee8b/CAFF_poster-on-the-street_02.jpg" /&#62;&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/0d4e7c4dd8a849e750612218b67578bebd38bca75964101f06b4fbcebcfef599/CAFF_conference_hall_screen_1920x1080.jpg" data-mid="227872995" border="0"  src="https://freight.cargo.site/w/1000/i/0d4e7c4dd8a849e750612218b67578bebd38bca75964101f06b4fbcebcfef599/CAFF_conference_hall_screen_1920x1080.jpg" /&#62;Socials
&#60;img width="812" height="1631" width_o="812" height_o="1631" data-src="https://freight.cargo.site/t/original/i/57256c04631acf092008dc6303b9393d080fb7e1411bfcdd835f5469378ec89a/CAFF_socials.jpg" data-mid="227872632" border="0"  src="https://freight.cargo.site/w/812/i/57256c04631acf092008dc6303b9393d080fb7e1411bfcdd835f5469378ec89a/CAFF_socials.jpg" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7102a719771f6a85d867e533575e771dce492de0ef63c3c2cc1f84683ca4805c/CAFF_Visual-Guide_01.jpeg" data-mid="227873705" border="0"  src="https://freight.cargo.site/w/1000/i/7102a719771f6a85d867e533575e771dce492de0ef63c3c2cc1f84683ca4805c/CAFF_Visual-Guide_01.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/eaf4bd793ad8d100709761d80fb85540a1a36d01679a68727bedbc9e000377f4/CAFF_Visual-Guide_02.jpeg" data-mid="227873706" border="0"  src="https://freight.cargo.site/w/1000/i/eaf4bd793ad8d100709761d80fb85540a1a36d01679a68727bedbc9e000377f4/CAFF_Visual-Guide_02.jpeg" /&#62;


Concept Development &#124; Yu-Tzu HUANG Visual Graphic &#124; Yu-Tzu HUANG

</description>
		
	</item>
		
		
	<item>
		<title>Sublime Project-Sketch from forest – Place of reflection</title>
				
		<link>https://yutzuhuang.com/Sublime-Project-Sketch-from-forest-Place-of-reflection</link>

		<pubDate>Mon, 10 Mar 2025 02:26:48 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/Sublime-Project-Sketch-from-forest-Place-of-reflection</guid>

		<description>



	Sublime Project 
Sketch from forest – Place
of reflectionworkshop, program planning, public program
Yu-Tzu Huang, from the X-site winning team organized Sublime Project, a public program of five events during Analogue Forest&#38;nbsp;in Taipei Fine Arts Museum from 11 May to 22 July, 2024.
&#60;img width="1500" height="1061" width_o="1500" height_o="1061" data-src="https://freight.cargo.site/t/original/i/ccf1cc4165178bf8bbf416eae9678769d6910df2fab508f2d386195cd8fae0cb/Xsite_sketch_v2-Day.jpg" data-mid="228306911" border="0"  src="https://freight.cargo.site/w/1000/i/ccf1cc4165178bf8bbf416eae9678769d6910df2fab508f2d386195cd8fae0cb/Xsite_sketch_v2-Day.jpg" /&#62;



















↑The sketch of Sketch from forest
Illustration by Yu-Tzu Huang

In this workshop, visual artist Yu-Tzu Huang reinterpreted the symbols from Scenery near Yuan-Shan to construct a unique artistic realm, using pre-made templates akin to a model painting book. Collaborating with participants, she explored the transformation of intangible elements in nature, posing the thought-provoking question: “When a forest nurtured by nature becomes one shaped by social consciousness, does it still remain a forest?”


She divided the model painting book into 12 templates, with participants unknowingly gathering around the largest tree in the forest, affectionately nicknamed the “Sacred Tree.”
The workshop highlighted contemporary ink techniques, handcrafted writing tools, and unconventional materials such as mirror acrylic sheets and luminous ink, replacing traditional canvas and ink. Through hands-on creation, participants engaged in an improvisational process that merged artistic expression with body memory. By utilizing luminous ink’s spectral properties, they depicted the shifting nature of the forest between day and night, encouraging reflection on their personal connection with nature.&#38;nbsp;
 












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&#60;img width="2874" height="3832" width_o="2874" height_o="3832" data-src="https://freight.cargo.site/t/original/i/a98c1299f5c2a59ae129859e3b00c55eb9b561c77eeccfffc3eb7bf8ffd80448/IMG_0405.jpg" data-mid="228306779" border="0"  src="https://freight.cargo.site/w/1000/i/a98c1299f5c2a59ae129859e3b00c55eb9b561c77eeccfffc3eb7bf8ffd80448/IMG_0405.jpg" /&#62;↑Photo by Huei-Yi Wang

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Hosted by visual artist Yu-Tzu HuangBooklet design: Yu-Tzu Huang
X-site 2024 Public ProgramSketch from Forest &#124; HUANG Yu-TzuPhotography｜Yen-An Chen, Jun-Siang Yan

 
Photo Credit &#124; Studio PHOENIXMINUSONE


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	<item>
		<title>Other Russias</title>
				
		<link>https://yutzuhuang.com/Other-Russias</link>

		<pubDate>Fri, 07 Mar 2025 16:23:25 +0000</pubDate>

		<dc:creator>YUTZUHUANG</dc:creator>

		<guid isPermaLink="true">https://yutzuhuang.com/Other-Russias</guid>

		<description>



	
Other RussiasBook Design













Other Russias initially began as a series of illustrations and documentary comics shared by Russian artist Victoria Lomasko on social media, rather than being conceived as a book from the start. These works document marginalized communities within Russian society, including workers and political dissidents, offering a rare and unfiltered perspective rarely seen in mainstream media.&#38;nbsp;Later, these contents were compiled into a book, further expanding its influence. Although it has been translated into multiple languages, it has never been published in Russia. However, it was finally released in Traditional Chinese at the end of last year.


&#38;nbsp; &#38;nbsp; 





Design

This book, published by Hide &#38;amp; Seek Audiovisual Art, was designed collaboratively by me and designer Chen Jen from Limestone Books Maastricht.


Through discussions with the editor, we decided to use the dialogue boxes from the documentary comics of&#38;nbsp; Other Russians as the central theme of the cover. The cover features a stone that seems to have been thrown, stacked into a wall by the people—symbolizing a barrier that keeps people both trapped inside and unable to enter. 


The cover also includes two opposing processions: the May 6, 2012 Million-Strong March in support of Pussy Riot and the September 15, 2012 nationalist march. These are represented as the only color pages in the book.


We rearranged the book’s title, font sizes, typefaces, and chapter pages, as well as adjusted the proportions of the documentary comics to enhance the readability and flow of the layout.













	
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